Until 1942 When He Was Crushed by a Giant Bell Again
- "Success doesn't come up for costless, Miguel. You accept to be willing to practise whatever information technology takes to.... seize your moment. I know you lot sympathise."
- ―Ernesto reveals his truthful nature to Miguel Rivera[src]
Ernesto de la Cruz is the primary antagonist of the 2017 Disney•Pixar blithe feature film Coco. He was a famous singer and musician who dazzled audiences with his expert looks and his charm and was a source of Mexican pride. After his untimely expiry, his soul resides in the State of the Expressionless. Trapped in this boggling realm, Miguel embarks on a quest to find Ernesto, whom he believes is his long-lost swell-slap-up-grandpa.
Even so, Miguel learns a very dissimilar story from his heritage than what he expected. He was a former best friend and music partner of Héctor—Miguel'southward true great-not bad-grandfather—whom he had murdered so he could have the credit for his music and be a famous musician.
Contents
- 1 Background
- 1.1 Official Description
- 1.2 Development
- 1.iii Personality
- ii Part in the movie
- 3 Gallery
- 4 Trivia
- five References
- 6 External links
Groundwork
- "Ernesto de la Cruz, the greatest musician of all time...He started out a total nobody from Santa Cecilia, like me. Simply when he played music, he made people fall in love with him. He starred in movies. He had the coolest guitar. He could fly! And he wrote the all-time songs!...He lived the kind of life yous dream well-nigh... Until 1942...When he was crushed by a giant bell. I desire to be just like him!"
- ―Miguel explaining de la Cruz'south story
Built-in in 1896,[2] Ernesto was an up-and-coming musician from the town of Santa Cecilia. He started his musical career as a guitarist with his childhood friend Héctor as his songwriter. As the two were on tour across Mexico nonetheless, Héctor felt remorse well-nigh leaving his wife and daughter behind and intended to quit his career to go back to them. Though Héctor bodacious Ernesto that the latter can manage on his own, Ernesto desperately tried to convince Héctor to stay, stating he can't succeed without Héctor's songs, to no avail. Ernesto seemingly accepted Héctor'southward decision and shared a toast of tequila with him equally he would move "heaven and globe" for his friend. Unbeknownst to Héctor, however, Ernesto had poisoned the drinkable - as the 2 walked down the street towards the railroad train station, Héctor succumbed to the poison and died. Taking the opportunity, Ernesto took Héctor's songbook and guitar and passed them off every bit his own. With Héctor's songs, Ernesto became a musical fable across the state and a star of renowned films. Winning crowds with his noble appearance, Ernesto was revered as a symbol of Mexico's passion and pride, all the while leaving no-i the wiser of the true circumstances of his fame.
In 1942, Ernesto performed the song "Call back Me" at a concert among millions of his fans. Simply every bit he finished the song on a loftier note, the backstage paw was distracted and accidentally pulled the lever for the stage's bong; Ernesto, existence correct under the bong at the moment, was crushed by it and killed instantly. His body was laid to rest in a tomb back in Santa Cecilia, while his spirit was sent to the Land of the Dead. Ernesto'due south memory carried on in the public, thus he has retained his reputation in the Land of the Dead, regularly performing for the dead citizens (specially, putting on a Sunrise Spectacular at the stop of Día de los Muertos) and living out his afterlife in his massive mansion, throwing parties, and with an arsenal of security guards at his disposal.
Official Clarification
- Ernesto de la Cruz is Miguel'southward idol and the most famous musician in the history of Mexico. Revered by fans worldwide until his untimely decease, the charming and charismatic musician is fifty-fifty more than beloved in the Country of the Dead. [3]
Development
In earlier drafts of the movie, Ernesto de la Cruz was intended to be a more than obvious villain in a similar vein to Hopper and Chick Hicks. He was originally born in 1885 and was originally crushed to death during his operation of "Remember Me" in 1953. After the original thought was screened, information technology was scrapped and Ernesto was redesigned to appear as a less villainous effigy - he was given a grandfatherly appearance and mannerly personality to make his true nature more unsuspecting.
Personality
At first glance, Ernesto presents himself as a charming, suave, wise, friendly, and sensible private who encouraged others to follow their dreams no matter what, making him seem similar a positive role model to many individuals in the living globe. Ernesto saved Miguel when he fell in his pool out of genuine kindness and was genuinely going to give him his approval and let him dorsum to the State of the Living. That is, that was before Miguel discovered his secret, so it is debatable whether that act of decency was sincere or not.
Yet, information technology is later revealed that Ernesto was selfish, vain, fame-hungry, and desperate in life to the point of being a rank opportunist. His ambition was and so extreme that information technology drove him to murder his all-time friend Héctor, who wanted to become home to his family, and afterward steal his songbook and guitar to accomplish fame and celebrity. He was even arrogant plenty to hide this secret in one of his films, which led to his exposure and eventual downfall.
Leaving behind a profound legacy after his death, Ernesto was determined to maintain this and was willing to go to malicious lengths (his murders, even more, darker after he died) to keep his image alive. Even Miguel, a boy who greatly idolized him and was idea to exist his blood, was seen equally a liability to the extent that he would resort to murdering the child to hide his secret, with no remorse whatsoever for his heinous acts; staring coldly after Miguel when he sent him falling to his decease and nonchalantly passing off the grief the action had on the late Rivera family while giving the helpless Héctor, Miguel'south true ancestor, a vicious apology.
While Miguel, Héctor, and Imelda had dandy passions for music and (despite their flaws from them) stronger values in family, Ernesto had none of these qualities; he only used music to gain popularity and willing to kill or use those with whom he had shut relationships to go it. Every bit such, he is a nighttime parallel to Héctor and what Miguel might accept become if he had followed Ernesto's path.
When his actions were revealed and his former fans turned on him, Ernesto could just be silently distraught to realize he had lost everything for which he had worked as he was condemned for his vile actions.
Ernesto was also, in dissimilarity to his suave advent and daring movie roles, a filthy coward. This was shown when Héctor, despite their differing skeletal structures and his declining condition, furiously attacked him after realizing Ernesto's manus in his expiry and later fleeing confrontation with an angered Rivera family, calling his security guards for these instances instead of defending himself. It should be noted that they outnumber him so it's understandable for him to abscond instead of fighting them all at once. Withal, he notwithstanding flees after calling his security guards to battle the Rivera family instead of helping his guards battle them, which perfectly shows his cowardice. Also, when Pepita confronts him for the crimes he committed against the family, Ernesto was left pathetically screaming and begging the alebrije to release him unharmed.
Role in the film
Ernesto de la Cruz showtime appears at his mansion in the Land of the Dead. During the Day of the Dead, he is hosting a party exclusive to Mexico'southward high-grade celebrities. Miguel tries to get his attention by singing an improvised song. Unfortunately, he loses his balance and falls into a pool before finishing it, prompting Ernesto to swoop into information technology to rescue him. Upon reaching the surface, Ernesto discovers he is the man boy he had been hearing most. Miguel declares himself as de la Cruz's peachy-bully-grandson. Despite existence aware he had no known living relatives, Ernesto is charmed at this revelation, and tours Miguel effectually his residence, bragging virtually him to his friends.
After the political party settles down, Miguel asks Ernesto how he felt about leaving his family behind; hesitating, Ernesto vaguely answers his questions that while it was hard, he had to decide to pursue his dreams of becoming a musician, and suggests Miguel do the same if he desires. Miguel explains that he needs Ernesto's approval to return to the Land of the Living. Ernesto agrees, just earlier he tin can bless the marigold petal, a furious Héctor shows upwardly. Héctor reveals he wrote the songs Ernesto was famous for and accuses Ernesto of stealing the credit and leaving Héctor to be forgotten. Ernesto tries to be civil as Héctor tries to get the 2 to assistance him cross the bridge to run across his daughter before he's forgotten. When he reminds Ernesto that the latter stated he would motility "Heaven and Earth" for him, Miguel calls out the similarity of that statement with a quote uttered in one of Ernesto'southward films; where Don Hidalgo, the villain of the film, said the aforementioned thing while poisoning Ernesto's grapheme. Looking at the motion-picture show, Héctor recalls his last living moments and realizes Ernesto caused his death by poisoning him and stealing his songs and guitar to get famous.
When Héctor learns that Ernesto murdered him by poisoning him, the former tries to dissuade the latter by stating that he is confusing movies with reality to no avail. Enraged at this revelation, Héctor attacks Ernesto for his betrayal, but he is thrown into a cenote pit by Ernesto's security guards. To examination Miguel's loyalty, Ernesto asks Miguel if he believes what Héctor said. Miguel denies it, simply the uncertainty in his voice alerts Ernesto that he does. He crumbles the marigold petal and has Miguel thrown in the cenote equally he confiscates Héctor's photograph from the boy. Taken away by the re-summoned guards, Miguel protests they are family to which Ernesto coldly notes that Héctor was his best friend besides; his callous words let Miguel to see that Héctor was telling the truth and Ernesto reminds Miguel that he needed to do whatever it took to attain celebrity, or, in his ain words, "seize his moment", before leaving.
In the cenote, Miguel and Héctor notice their true lineage and are rescued by the deceased Riveras, Dante, and Pepita and reveal the truth of Héctor'south difference. Together, they sneak backstage of the Sunrise Spectacular concert to get Héctor's photo back before Coco forgets him in the Land of the Living. When they conveniently encounter Ernesto, he faintly recognizes Imelda who slaps him twice with her boot, the first striking for murdering her dear and a second one for trying the same with her grandson (the revelation of Héctor related to Miguel shocking him). A cowardly Ernesto flees at the sight of the family, realizing that they are later the photo he took and summons his security guards to deal with them.
During the scuffle, Imelda is accidentally put on stage with the photo and sings a forced duet with Ernesto while simultaneously trying to go along Héctor's photograph from him. She stomps his human foot at the end of the song, making off with the photograph while he recoils and screams a mariachi cry in pain. Before Miguel can exist sent back to the land of the living, an infuriated Ernesto grabs him and shoves a protective Imelda to the ground. He drags Miguel toward a ledge while demanding the Riveras to stay dorsum, non ane more step. Dante attempts to pull Miguel back but fails, which causes Miguel to lose his hoodie.
A weakened Héctor pleads for his corking-keen-grandson to be allowed to become home as he'due south a living child, but Ernesto refuses because Miguel is a threat to his legacy in the realm of the living. Unknown to Ernesto, Miguel's aunts Rosita and Victoria, respectively, accept angled a nearby photographic camera on him and switched it on to circulate his rants confronting the Riveras to the audience. Miguel angrily calls him a coward with Ernesto declaring he is the greatest musician of Mexico. Miguel rebukes this by stating Héctor is the real musician and denouncing Ernesto every bit a murderer who took undeserved credit by stealing his songs, shocking the audition with this revelation.
Not caring and holding Miguel to his face, the vile fraud viciously defends his actions by ranting he'll practise whatever it takes to seize his moment, repeating this argument before ultimately throwing Miguel from the building, to the horror of the Riveras and the whole audition. Satisfied and believing he has won, Ernesto casually passes the horrified Riveras and a weakened Héctor, giving a cruelly sarcastic apology to his former friend.
Straightening up, Ernesto gleefully returns to the stage, only to be met with boos, jeers, and scowls from the audience, who furiously labels him a murderer and orders him to get off the stage. Shrugging this off, Ernesto tries to start the orchestra, but the instrumentalists only glare at him out of outrage and antipathy equally the stoic conductor responds to his attempts past snapping his baton in two without a word or 2nd thought out of disgust. Ernesto and so tries to win the oversupply over by singing "Think Me", merely the livid crowd merely boos even more every bit they throw food at him. Dislocated at this reception, Ernesto sees on the monitors that Pepita has simply saved Miguel and realizes that his vile actions take been revealed to all the State of the Dead as well, causing him to be silently devastated at the fact that his legacy has now been destroyed and he had lost everything.
Equally he ponders on what to do, Ernesto looks behind him to run across Pepita sally from the defunction ready to punish the murderous musician for everything he put the family unit through when he murdered Héctor. As she menacingly approaches him, Ernesto can only meekly beg Pepita non to hurt him, just the alebrije responds with a roar and pushes him offstage before catching him past the pelvis surface area and carrying him out of the stadium. While sreaming and begging in frantic terror, Ernesto is then thrown toward a nearby bell belfry where he smacks face-first into the fe bell with a resounding clang earlier falling underneath. While recovering, the bell breaks loose and crushes a horrified Ernesto. This is all broadcasted by the camera staff to everyone in the arena who cheer at his defeat.
Returning to the Land of the Living, Miguel reveals the truth virtually Héctor. Using the letters Héctor sent to Mamá Coco when she was young, the living Riveras expose Ernesto'southward murderous crimes and manage to save Héctor from being forgotten. I year later, past the next Dia de Los Muertos, Héctor is now credited by Santa Cecilia as an authentic musician and songwriter, while Ernesto's mausoleum is defaced and left forgotten, with a sign that reads, "FORGET YOU!".
Gallery
Trivia
- Ernesto is designed after famous Mexican actors and singers from the Aureate Age of Mexican Movie theater, in item, Jorge Negrete.
- At his political party, Ernesto is seen interacting with Negrete and Pedro Infante (ii of his inspirations).
- The bulletin of the sign (FORGET Y'all) hung on Ernesto'southward bust at the movie's catastrophe was altered in two versions. Some have a translated version of the message while other international versions (especially in the English version with Spanish subtitles released in Mexico and some American cinemas) accept replaced the message with a big "X" instead.
- Ernesto is the Spanish variation of the proper name Ernest, which sounds and is spelled very similarly to the discussion earnest, meaning truthful, 18-carat or heartfelt. And his last proper noun is Castilian for "of the cross", meaning his name is literally "Heartfelt of the Cross". This is a major cause of dramatic irony considering his true nature is a liar, fraud, and murderer.
- With the exception of "Remember Me" (which was sung by his original voice actor), Ernesto's singing voice is provided by a dissimilar player, Antonio Sol.
- Several easy-to-miss signs that foreshadow Ernesto's true colors and hint that he is not the father of Coco:
- In the Rivera family portrait, although Imelda'southward married man wore an outfit similar to Ernesto's, the belt buckle had two guitars on information technology. Ernesto's belt buckle does not take this emblem, but rather the symbol of a bull'due south head. The faceless human in the photograph besides has a noticeably thinner body type.
- When Miguel shows Coco her family photo and asks her if Ernesto was her father, Coco says "Papa" while pointing at him in their photo merely she never said that he was Ernesto.
- Early on when Miguel watches an old video of Ernesto, the camera zooms in on the latter'due south hands when he's playing notes, implying it'due south a stunt double. There are merely wide shots of Ernesto when he's merely strumming, hinting he'southward not as talented as he appears to be.
- Frida Kahlo says that Ernesto does not show upwardly to rehearsals, preferring instead to host parties in his mansion, which once again demonstrates how he prioritizes attention over music and fans. The same goes for Héctor, who complains about that fact.
- When both speak of this, they speak it in a rather negative tone, reinforcing the fact that Ernesto wasn't talented in the offset place.
- When Miguel runs away from Héctor and Imelda, Dante tugs at him to end him from going to Ernesto'southward mansion.
- Furthermore, during the argument betwixt Imelda and Miguel when the latter runs away from the former in his pursuit to find Ernesto to get his blessing, Imelda does not mention Ernesto fifty-fifty though she did mention her husband, stating that "he wanted to play for the earth".
- When Miguel commencement calls Ernesto his great-great-grandfather, Ernesto is clearly shocked but still believed him. This implies that while Ernesto never married or had whatsoever children, he had at to the lowest degree 1 extramarital love affair and, given the time period and culture in which he lived, was worried about his reputation getting ruined by the accidental conception of a kid exterior wedlock.
- This was shown before when Miguel claims himself to be Ernesto's descendant (aka not bad-great-grandson), Héctor is noticeably surprised and dislocated. While this could be interpreted as Héctor existence shocked at such bold claims, it could also be seen as Héctor knowing what kind of person Ernesto is, a womanizer, and his shocked atheism could be viewed equally him thinking Ernesto had a bastard child.
- Héctor states that Ernesto wasn't very talented. This is proven true when the latter states in the flashback that he can't succeed without Héctor'due south songs.
- The novelization gives a hint in 1 of the flashback chapters. Ernesto convinces Héctor to go on a series of tours throughout Mexico. During their performances, Héctor notices that Ernesto's singing and playing way shifts between happy and half-hearted depending on the audience size, and realizes that his partner cares more than nigh attending than near the art backside music.
- When Miguel asks Ernesto how he felt virtually leaving his family, the latter gives a vague response that it was "hard" but he had to follow his dreams. Ernesto does not mention a wife or a daughter, allow alone Imelda or Coco and possibly he was talking about his parents. Too, he does not show signs of feeling remorseful, foreshadowing his lack of contrition.
- In the office where Héctor is being warned, Ernesto'south poster has a green glow.
- Ernesto casually speaks when saying that he needs to become Miguel domicile, rather than with business concern. As he prepares to requite the blessing, Ernesto also states he hopes for Miguel to "die very presently". The first action foreshadows Ernesto's lack of authentic compassion while the second action foreshadows the lengths to which he is willing to become to avert being exposed or upstaged.
- When Ernesto offers Miguel his blessing, the Aztec Marigold petal did not glow similar when Imelda did the same thing earlier in the moving-picture show when the petal did glow, indicating that they are not relatives; Even so, the involved movie staff have stated that a person can give their blessing to anyone who is loved like a family member (not only a blood relative), merely said feeling must be common. This implies while Miguel views Ernesto every bit family, Ernesto views Miguel as merely a disposable vehicle to fame.
- Miguel's family does not object to Miguel mentioning Ernesto, fifty-fifty though they object to him referencing Coco's male parent, although they did mention that they never knew about Coco'south father's identity. Furthermore, when Miguel declares Ernesto to be his nifty-great-grandfather, the family claims that it is "incommunicable".
- Whenever Miguel's family unit talks near Coco's father, it is mentioned that he was forgotten and left off the ofrenda. Ernesto, on the other hand, is remembered by many people, both living and expressionless. This is the most obvious hint that Ernesto is not Miguel's great-corking-grandfather.
- At one point when Miguel brings up his asymmetrical dimples, Ernesto followed upwards past maxim, "No dimple!" Upon rewatching, it's an obvious sign that Ernesto is subtly insulting Miguel as if he wasn't anyone special, since lacking dimples is a common trait.
- When Miguel takes Ernesto'due south advice of "seizing your moment", Miguel had done many shady things while getting himself in trouble. This hints Ernesto was never a skilful man in the beginning place.
- Upon listening to Ernesto's version of "Remember Me" more than once, one might find the emotional lyrics sound out of place with the catchy instrumental. This shows how Ernesto is a complete sellout and only cared about popularity, while Hector cared about songwriting.
- Despite getting crushed a second time, Ernesto nevertheless exists in the Land of the Expressionless, as Lee Unkrich confirmed.[iv] Unkrich has stated that Ernesto is still remembered for his movies and his story as the ane who stole Héctor'due south guitar and his songs and murdered him, albeit permanently disgraced.[5]
- Thus, he is unique among Disney/Pixar villains in that he died earlier the events of the moving-picture show rather than at the end or non at all, and is thus dead (though very much active) during his combative role.
- Ernesto is the commencement (and currently, only) chief antagonist of a Pixar movie to already be dead.
- This also fits in with the general Disney tradition of giving villains a fitting fate; all that mattered to Ernesto was fame and the admiration that came with it. He is now stuck in a permanent existence, unable to cross over to the State of the Living and denied the 'Terminal Death' as people insist on remembering his vile deportment (every bit murders of famous people are remembered).
- This was originally explored in the deleted scene "To the Span" where Ernesto was in hot pursuit of Miguel at the decaying Marigold Span where they would take a showdown during sunrise once Dia de los Muertos ended after the inaugural. Ernesto ended up getting evaporated with the marigold petals equally he grabbed Miguel. This was scrapped as it proved to be too much of a rehash to the climaxes of the Disney Renaissance films.
- Thus, he is unique among Disney/Pixar villains in that he died earlier the events of the moving-picture show rather than at the end or non at all, and is thus dead (though very much active) during his combative role.
- Taking into account the years in which they were born, Ernesto is four years older than Héctor.[ii] He was around 45-46 years old when he died, outliving Héctor by 21 years―the aforementioned span of fourth dimension Héctor was alive.
- Ernesto has similarities with Charles F. Muntz from Upward, equally both are celebrities who are initially idolized past the protagonists. When the protagonists learn of their true nature, they finish idolizing them and become their enemies. Furthermore, they effort to kill their former fans to stop them from ruining their plans. All the same, Muntz is comparably more than merciful since he was initially willing to permit Carl and Russell live when he got what he wanted and simply tried to kill them when they boarded his stuffed to get Kevin back, while Ernesto used murder as his merely solution to go rid of anyone he saw every bit a threat to him.
- Ernesto's downfall is shared with boyfriend Pixar villain Henry J. Waternoose from Monsters, Inc., as both had their true motives caught on camera and lost their respect from the public. Notwithstanding, Waternoose had more firm and understandable reasons for his deportment, ultimately going mad to save his company from defalcation and stop the energy crunch, while Ernesto murdered Héctor for selfish reasons, such as fame and recognition.
- He seemed to have familiarity with Imelda, perhaps having come in contact with her before he and Héctor left Santa Cecilia, which fabricated sense as she was his former best friend's wife.
- When Héctor was about to leave Ernesto, Ernesto immediately offered a drinkable that had a poison that kills Héctor. However, in that location was no grooming for Ernesto poisoning the alcohol shown. This indicates that the alcohol had already been poisoned prior. It can exist explained that Ernesto may have gotten the toxicant while on the tour. And since he and Héctor had been touring for some time, there are indications that they argued over it constantly, with Ernesto managing to talk him out of it while making contingency plans (including having the poison on hand) to kill him if he insisted on leaving. So when Héctor finally decided to go home and ignored Ernesto's pleas, that was when Ernesto snapped and poisoned him.
- In the deleted scene "Family Fix", Ernesto snatches Héctor'due south guitar from Miguel (then known equally "Marco" during development) and breaks it (which ended upward destroying his simply hope of getting home) right in front of the audition and the Riveras at the main stage. At this point, he is reviled past the dead and is given a final slipper to the head by Imelda. Information technology was scrapped because information technology went against how Ernesto'southward downfall was to exist finalized.
- In the deleted scene "Dia de los muertos", it features a group of people singing a at-home ballad, earlier turning information technology over-the-top and practically bastardizes the meaning of the holiday. This could mean to foreshadow how Ernesto bastardizes Héctor's vocal, "Remember Me", from a personal family unit song into a flashy fame song.
- Ernesto serves equally a dark parallel to Miguel: both of them are determined to become musicians. However, while Miguel'due south desire to get a musician comes from his passion and love for music, Ernesto but wanted to be a musician to gain fame, glory, and attention for himself. If Miguel hadn't learned how family is important to him, he would take ended up similar Ernesto, who didn't care virtually family and friendship.
- Ernesto'south downfall was possible primarily because of his movies; if Ernesto had not included the poisoning scene that parallels his poisoning of Héctor, his true nature may accept never come to lite.
- Ernesto's alebrijes are Chihuahua's, which are a reflection of his airs every bit he'due south similar the tiny Mexican dog, he acts high and mighty when he actually he's anything but.
References
- ↑ 1.0 1.1 1.2 Unkrich, L.; Molina, Ad.; Lasseter, J. (October 10, 2017). The Art of Coco. Chronicle Books, folio 46.
- ↑ two.0 two.one Unkrich, Lee (Dec 3, 2017). "1896 (reply to @Aleprettycat Dearest @leeunkrich , when was Ernesto de la Cruz built-in?" (Tweet). Twitter.
- ↑ Lema, Michelle (June vi, 2017). "Run into the Characters and Vocalism Cast of Disney Pixar'southward Coco and Come across the Cute New Poster". Oh My Disney. Disney. Retrieved on June 6, 2017.
- ↑ Unkrich, Lee (December 16, 2017). "No. (reply to @emilykranking Question without existence too spoiler-ly: When *beep* gets crushed over again, is he dead permanently?)" (Tweet). Twitter.
- ↑ Unkrich, Lee (Dec 10, 2017). "Permanently disgraced. (reply to @An_EqualSociety Question virtually Ernesto's fate: Hi Lee. A question. In Coco, Ernesto was ultimately killed when he was crushed by the giant bell in the Día de Muertos Realm? He was technically expressionless, and after existence exposed as a fraud, he would still exist remembered for his movies and for his story for stealing Héctor's songs?)" (Tweet). Twitter.
External links
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Ernesto de la Cruz on Villains Wiki
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Source: https://disney.fandom.com/wiki/Ernesto_de_la_Cruz
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